In Hell by Henri-Georges Clouzot (Serge Bromberg Ruxadra and Medea, 2009), a documentary on the filming of the movie incredible unfinished Clouzot ( Hell ) Henri Georges Clouzot suffered a heart attack at the right time. When Romy Schneider and her sweet friend kiss and caress each other under a blazing sun, entwined on a beautiful boat in the middle of the water in August. The film thus reaches perfection and steals all his movies. All his films actually pose a single question Hell blew what could be a bombshell on the other characters in the film, the viewer, the film ...? Example (1): to find out what effects can be Brigitte Bardot on her family, movies, the world must see Truth (1960). Example (2): four men willing to take risk their lives a cargo of nitroglycerine over five hundred miles of potholed roads and The Wages of Fear (1953) became the Rear Window (Alfred Hitchcock, 1954) Clouzot, film theoretical reflective film itself (which is effect of a bomb or a starlet on the film, the viewer, the world?). With his film maudit Hell, he has finally found a real bomb and, with the blowing up, he did not offer the viewer or the movies. It will keep for him. From a film considered cursed because unfinished, it has managed his life: to prolong the effects of the bomb and explosives to monopolize (a heart attack). In comparison, his other films are companies aesthetic works, that is to say things forever missed. Serge Bromberg and thank you to Ruxadra Medea having made a fine thing clear.
Rémy Russotto
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